I n t u i t P i c t u r e s H O R K A Y B o l z a n o g o l d T u l s e L u p e r w e b H o m e

 

 

 

 

 

 

Bolzano 1944-45

 

“SETS”There are many “sets” or ambience/location backgrounds to the narrative, related, again as above, to the three layers of plotting. And these can be manufactured by multiple still images manipulated in verysophisticated ways by Photo-shop techniques, often simulating movement.
Onto these we will insert pieces of moving film activity, either to be shot or from the copious materialalready filmed for the Tulse Luper films

 

 

 

In Luper discovers that the war officially ended in Europe at exactly the time of his crash with the car as witnessed by Harpsch’s smashed watch - a significant, mysterious, coincidental circumstance worthmemorialising.The story Luper creates for Harpsch is that he and his jewess cook lover have a child - a daughter. Luper christens her Fidelia. The cook is arrested and sent to a concentration camp, Harpsch is stripped of his rank and sent to fight in Russia, all the time hoping one day again to see his daughter who he believes has beensent out of the country by an adoption society and is probably living in the Southern Alps - either in Switzerland, Austria or Italy, in a child adoption centre. Towards the end of the war, Harpsch is decorated for bravery, reinstated in his commission and uses army intelligence to find his daughter’s whereabouts. He grows to believe she is in care in an institution near Bolzano. Determined to find her, as Germany collapses, he plans to steal gold bars from his brother’s bank in Baden-Baden and with his brother, escape Germany and set out in a stolen car to find his daughter. The brother dies unexpectedly celebrating his escape, and Harpsch with 101 gold bars, travels by side-roads, avoiding military police, foreign soldiers and refugee crowds who block the road and plead for assistance lifts. He is often obliged to take extensive detours. On his journey he is forced to part with nine of the gold bars, for petrol, food, services, bribes, and for burial services for his brother ina Jewish cemetery. After a six day journey covering over a thousand miles, nearing hisdestination,exhausted, he crashes with Luper and his horse.

Luper believes that the gold has been stolen from the victims of the Third Reich, smelted down from their gold possessions. He provides a story and a case history for each bar, all the time tracing Harpsch’s car ride - creating his exact journey from maps discovered in the Bolzano restaurant.The cafe owner is a renegade and a malcontent fomentingFascist trouble, trying illicitly to offload the gold for his own profit. Luper as he writes a story for each gold bar moves it from one pile to another on the floor of his attic prison. One of the cafe customers is Primo Levi returning from his concentration camp ordeal. He had met him before in Turin and they discuss the significances of the atomic table - most pertinently with theelement 92 of uranium.
With the miller betrayed over an infidelity escapade involving his wife and his daughter, and US military police about to recover the gold and with the 92 stories finished, Luper, to his very great surprise - for his reconstruction of Harpsch and his life and journey is entirely fictitious - discovers Harpsch’s daughter Fidelia in the cafe - happy and healthy and wellooked after by a devoted Italian childless couple. With both her parents dead, Luper reveals nothing of her background, fact or fiction, and presents her with her father’s mended watch as a gift. With his business in prophetic fiction completed, Luper makes his escape on his whitehorse back into the pine forests and into the mountains.

 

 

 


Casanova in Bolzano/Sándor Márai/

In 1756 Giacomo Casanova escaped from the dreaded cells of Venice’s most infamous jail: it is at this moment that Sándor Márai begins his story. Stopping to rest at the Italian village of Bolzano, Casanova secures a loan to rebuild his life, and resumes his art of seduction. But there is another reason he has come to this particular village: the memory of a duel he fought long ago with the duke of Parma over a girl named Francesca. Casanova lost the fight; Francesca became the duke’s wife; and the duke spared Casanova’s life on condition that he never set eyes on her again. The village of Bolzano is part of the duke’s lands. Now an old man, the duke arrives at the inn with a love letter he has intercepted from his wife to Casanova. He could kill Casanova on the spot but instead makes him an irresistible offer, one that will ultimately be the downfall of the notorious lover.

 


TM & COPYRIGHT 2004 BY ISTVAN HORKAY +INTUITPICTURES. ALL RIGHTS RESERVED.